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I asked Russ whether he’d mind writing a few more verses to give me a handle on the songs. Unfortunately, (or one could say fortunately in my case) Michael’s scoring commitments meant he was unable to come to London for the masterclass and that Barrington Pheloung would be taking the masterclass instead. I also have a great deal of respect for Christopher Gunning, especially his concert works. That’s not always a bad thing though as I tend to work well under tight deadlines – perhaps I shouldn’t have said that…sssh, don’t tell anyone.MATTHEW: It rather depends to the extent of music that’s incorporated into the story. It’s the amount of time you have available to write it! Over the thirty years so many wonderful operatic works have been used in the films, many reflecting different aspects of Morse’s character, others annoying him terribly. Matthew Slater – Composer An exclusive ENDEAVOUR interview by Damian Michael Barcroft. Of course, quality must always be maintained but he taught me not to get into the take after take after take mentality.MATTHEW: I think there’s little chance of the writing ever drying up for Russ but yes, I would wholeheartedly say there’s another world out there just waiting to be explored. Sometimes that’s a few weeks, other times it can end up being a matter of days to get a first draft of the score together. 346 Tracks. Stream Tracks and Playlists from Matthew Slater on your desktop or mobile device. For example, in this series we recorded film 2 first. That film did show the power music can have to picture. Download our mobile app now. I once remember seeing a documentary where John Williams couldn’t quite make all the hit points work in the final twelve minute sequence in the film, bearing in mind that Williams was conducting to spots and streamers on screen which is largely a lost talent and very difficult to do compared with the click tracks we all have today which make the recording process considerably quicker. Composer for Endeavour Series IV for ITV, Hairy Bikers Comfort Foods for the BBC plus many more including Tilly and Friends for JAM Media for Cbeebies. Listen to music from Matthew Slater like Jennifer Sometimes. Werbefrei streamen oder als CD und MP3 kaufen bei Amazon.de. I don’t think any single opera has the scope of thirty years of Endeavour Morse, much like his much loved Times crosswords, he works on so many levels.MATTHEW: Having worked with Barry for over twenty years it would be very not hard to have had some of his musical influence naturally come into my own music. . Sometimes that might be to compose the last climatic cue first so we can all see where our film is heading towards musically and making sure everyone is on board for that and sometimes the film needs a more chronological approach from start to finish in terms of composing the score. 1,948 likes. DAMIAN: As a very young boy I was given two records from an uncle which I played constantly. and Helen (prod.) No pressure for me then!! I’d worked with Barry, Colin Dexter’s and latterly Russell Lewis’ characters for years so they seemed naturally embedded in me although Morse, Lewis and now Endeavour all have a subtle musical difference yet are definable as sitting in the same dramatic world. We’ve seen him through INSPECTOR MORSE, LEWIS and now the events in ENDEAVOUR that led him to THE REMORSEFUL DAY. Done. Generally, yes, and of course that’s always a nice way to develop themes and ideas across a series so sometimes you have to think around corners to keep a sense of cohesion and development across a series.MATTHEW: That’s an easy one. One was Children’s TV Themes (1972: Cy Payne & His Orchestra) and the other was Star Wars and Other Galactic Space Themes (1978: Geoff Love & His Orchestra). That was around 1996 so I started making coffee for him and now some years later have conducted and composed the music for four ENDEAVOUR films and have pretty much done all jobs regarding the creation of a score to picture from tea boy to composer thanks to Barry.