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As well as the aforementioned finest, smoothest grain of any color negative film available today, it also promises to bring ultra-vivid color and exceptional sharpness.With so many different films still available and each with their own characteristics, I think understanding where a film doesn’t shine is as important as talking about where it does.If you’re reading this, you shouldn’t have much trouble getting hold of some Ektar 100. I prefer to just know that it gives us, in no particular order, the world’s finest-grained colour negative film, ultra-vivid colour, optimized sharpness, distinct edges and fine detail.Again though, if you can’t find any on the shelf, live too far from anywhere who would have it, or just want to see if it’s cheaper to buy online, Ektar will never be more than a few clicks away.I’ve tried to use three photographs below that demonstrate the claims Kodak explicitly makes of Ektar. One thing they did offer was choice; different emulsions, each with it’s own inherent strengths, weaknesses and colour signature.Anecdotally, talking to a number of retailers, there are photographers new to shooting transparency film who have begun to work with Ektachrome since it became available. I’m far more concerned with the latter, but here’s a selection of the former:You can make up your own mind, but I would absolutely shoot this film out in the streets again.If you’re lucky enough to travel somewhere with enough sun for the ISO 100 rating and lots of colourful scenes to shoot, I could image Ektar being the perfect film for your trip.Or maybe, if you like film photography, most films generally are good at what they do.
My mom loaned me $500 to buy a brand new Canon EOS Elan 7n, and I was over the moon to finally be able to use a “real camera” with manual controls. But not ideal straight out of the camera.But that’s just me. The decision by Kodak to manufacture a film which is a successor to films like Ektachrome E100G means that photographers once again have a choice, a film distinctively different to anything that Fujifilm has available.Push processing several sheets of Ektachrome E100 1 stop resulted in a noticeable weakening of denser areas of the transparencies and an overall “muddy” look to the film. Schmalfilmen soll wieder in sein?
The lower contrast values contribute to a wide dynamic range and a neutral tonal scale for greater color accuracy, and a low D-min helps to ensure brighter, whiter whites. Compared to colour negative film, the future of colour transparency sheet film has become somewhat uncertain. Allerdings ging es da nicht um Dias. Er muss sich nicht hinter digitalen Fotos verstecken.Die IT-Branche braucht dringend Fachkräfte. And as long as you have enough light for its ISO 100 rating, the sharpness, contrast, and low grain make Ektar a fine film to do so.If you’re interested in that, good for you. 33. Für das gute Stück gibt es seit einiger Zeit eine Neu-Auflage des Nikon-eigenen Diavorsatzes (Nikon ES-2, ca. {{epochTranslation 'awaiting_moderation'}}You can check the current prices and availability through the links below.And that’s why Ektar is not the best Kodak film for portraits. The vivid colours that are its strength and that make your landscapes and flowers pop will often make skin tones too red.
I don’t know.
@Paddy: Zum Thema Einscannen von analogen Dias: soweit ich weiß hast (oder zumindest hattest) Du eine Nikon D850. I bought a few rolls the day it came out and left on a trip to Arizona the next day. It’s a film I’ll certainly be shooting again.Let’s see if, in my humble and subjective opinion, it lives up to that billing in the next section.
To quote from the Ektachrome data sheet, “Use the data only as a guide. I began shooting film at 17 years old in 2005, just as digital SLRs began overtaking film.
Very fine? Kodak first used it on their professional-grade lenses from the 1930s to the 1960s, before launching an Ektar film in 1989 that was available in various ISO ratings. Klar kostet das etwas Zeit, ist technisch aber simpel und die Ergebnisse bei den knapp 50 MP Auflösung der D850 brauchen sich vermutlich vor keinem professionellen Scan-Labor verstecken.
Fixable in post-processing, of course. Eine echte Istanbuler Fotografieikone, dem ich gerne in seinem kleinen Café Moin hätte.
After shooting about 6 rolls, I selected about 20 frames for drum scanning.